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      <image:caption>Youth Hostel, Bradwell Village. The only place I could find to stay on the (whoops) weekend of the Grand Prix.</image:caption>
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      <image:caption>My trusty bike for a weekend, with thanks to Seth S., Janet M., and Sam W.</image:caption>
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      <image:caption>Fred Roche Gardens, in memory of the general manager (1931-1992).</image:caption>
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      <image:caption>Porte-cochère leading to the shopping building, typical of the city's meticulously designed street furniture.</image:caption>
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      <image:caption>Shopping building, formally opened by the Prime Minister on 25 September 1979.</image:caption>
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      <image:caption>Italian marble inside the shopping center, Europe's largest covered shopping building when it opened.</image:caption>
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      <image:caption>Redways, a cycling network offering nearly complete coverage of the city, independent from roads and cars.</image:caption>
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      <image:caption>Fishermead, dense housing near the center, designed to offer a sense of urbanity.</image:caption>
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      <image:caption>A Fishermead courtyard.</image:caption>
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      <image:caption>Helmut Jacoby's rendering of a Fishermead courtyard.</image:caption>
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      <image:caption>Ralph Erskine's Eaglestone.</image:caption>
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      <image:caption>Griffin, by Lesley Bonner.</image:caption>
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      <image:caption>Netherfield I. In accord with the policy that no building in Milton Keynes rise higher than the tallest tree, Jeremy Dixon and Edward Jones lay these "towers on their sides" to create the new town's most arresting housing design.</image:caption>
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      <image:caption>Netherfield II. To ensure a continuous roofline, the architects dug into the rolling landscape. The result achieved visual continuity across the site, while producing units in seventeen different floorplans.</image:caption>
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      <image:caption>Netherfield III. The density of the housing preserved ample green space across the site.</image:caption>
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      <image:caption>Tin Man, by Liz Leyh. Leyh's many community arts projects from the late 1970s, including the more famous concrete cows, involved the entire community in creating shared experiences and spaces.</image:caption>
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      <image:caption>Norman Foster's Beanhill, later the subject of contentious litigation when the roofs sprang leaks.</image:caption>
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      <image:caption>Norman Foster's Beanhill. A sleek, modern rendering of that universal form, the bungalow.</image:caption>
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      <image:caption>Wayland Tunley's Neath Hill, vernacular housing in traditional materials, built at about the same time as the modernist Netherfield and Beanhill.</image:caption>
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      <image:caption>Cricket near Bradwell Abbey.</image:caption>
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      <image:title>home - milton keynes</image:title>
      <image:caption>Milton Keynes Village, enclosed within Milton Keynes new town. The socialist chairman of the development corporation joked that, if designated in the early 1980s, the new town would have been called Milton Friedman.</image:caption>
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      <image:caption>Advance Factory Unit, a public sector project facilitating private sector enterprise.</image:caption>
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      <image:caption>Galley Hill Workshop, one of four workshops for building, among other things, community.</image:caption>
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      <image:caption>Private housing at Calverton End, where flat roofs signify not failure but status.</image:caption>
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      <image:title>home - milton keynes</image:title>
      <image:caption>The development corporation promised each of the three existing towns within the new city a signature development. Here, Cofferidge Close in Stony Stratford.</image:caption>
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      <image:caption>The Agora, a leisure center in and for Wolverton.</image:caption>
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      <image:caption>A Miesian black box for Bletchley.</image:caption>
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      <image:caption>MK Station.</image:caption>
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      <image:caption>If you've made it this far . . . click on the image for a link to the book's amazon.co.uk page.</image:caption>
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    <lastmod>2025-10-24</lastmod>
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      <image:caption>London launch | 10 July 2019 | King’s College London | with Otto Saumarez Smith and Simon Gunn | Photo by Sarah Hanck</image:caption>
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      <image:caption>New York launch | 18 September 2019 | Heyman Center for the Humanities | Columbia University</image:caption>
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    <lastmod>2025-10-24</lastmod>
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    <lastmod>2026-03-09</lastmod>
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    <lastmod>2026-02-14</lastmod>
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      <image:caption>He received his PhD from Northwestern University, where he studied with T. W. Heyck, Ken Alder, and Alex Owen. He then taught at Washington University in St. Louis and the University of Virginia, before arriving to NYU in 2009. In 2018 he was Astor Visiting Lecturer at Oxford, and in 2022-2023 he is a Visiting Professor at King’s College London. Ortolano has written about the history of science, urban history, and intellectual history. His first book, The Two Cultures Controversy, recasts a debate about the sciences and humanities as a contest between rival forms of liberalism. His second book, Thatcher’s Progress, argues that the thirty-two “new towns” Britain built after 1945 represented the spatial dimension of its welfare state. His current project, Supernational, looks at scales of historical writing in the century after Darwin. Ortolano teaches surveys of British history since the neolithic revolution, in addition to courses on modern Europe, urban modernism, the Darwinian revolution, and historical methodologies. In recognition of his teaching, the College of Arts and Science awarded him a Golden Dozen Teaching Prize. Originally from Stone Mountain, Georgia, he graduated from the University of Georgia, where he made his way to British history through courses by Kirk Willis. He now lives in New York with the literary scholar Jenny Mann and their two children.</image:caption>
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